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Agency and Automatism: Photography as Art Since the …
- https://criticalinquiry.uchicago.edu/agency_and_automatism_photography_as_art_since_the_sixties/
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Agency and Automatism: Photography as Art since …
- https://warwick.ac.uk/fac/soc/philosophy/research/activities/aestheticsafterphotography/agencyandautomatism/cfp.pdf
- Agency and Automatism: Photography as Art since the Sixties ‘Agency and Automatism’ is the culminating con-ference of the 3 year AHRC research project ‘Aes-thetics after Photography,’ co-directed by Margaret Iversen (Dept of Art History & Theory, University of Essex) and Diarmuid Costello (Dept of Philoso-phy, University of Warwick).
Agency & Automatism: Photography as Art since the Sixties …
- https://arthist.net/archive/31861/lang=en_US
- AGENCY AND AUTOMATISM: PHOTOGRAPHY AS ART SINCE THE SIXTIES 'Agency and Automatism' is the culminating conference of the 3 year AHRC research project 'Aesthetics after Photography,' co-directed by Margaret Iversen (Dept of Art History & Theory, University of Essex) and Diarmuid Costello (Dept of Philosophy, University of Warwick). The conference will
Aesthetics After Photography - 2010 Conference - Warwick
- https://warwick.ac.uk/fac/soc/philosophy/research/activities/aestheticsafterphotography/agencyandautomatism/
- Agency and Automatism: Photography as Art since the 1960s Tate Modern, London, 10-12 June 2010 Conference Registration (Tate Modern webpage) Conference Programme (With links to titles and abstracts) Conference Call for Papers (For information only). The AHRC project Aesthetics After Photography announces its concluding conference which …
Agency and Automatism: Photography as Art since the 1960s – …
- https://www.ivoox.com/en/agency-and-automatism-photography-as-art-since-the-audios-mp3_rf_4866893_1.html
- Listen and download Tate Events’s episodes for free. Audio recording of Agency and Automatism: Photography as Art since the 1960s past conference at Tate Modern Podcast: Tate Events. Channel: Tate Events. Time: 01:57:23 Uploaded 10/05 a las 14:10:00 4866893
Facing the Camera: Self-portraits of Photographers as …
- https://academic.oup.com/jaac/article/70/1/55/5980237
- Photography from the 1960s is marked by its departure from portrayals of the artist's agency and instead often presents photographs as the product of a mechanically automatized process. One example, by John Hilliard, Camera Recording Its Own Condition: (7 Apertures, 10 Speeds, 2 Mirrors) (1971), explores the phenomenon of a camera repeatedly …
[S-fotografie] CFP: Agency & Automatism: Photography as Art …
- https://liste.racine.ra.it/pipermail/s-fotografie/2009-October/001581.html
- Call for papers: AGENCY AND AUTOMATISM: PHOTOGRAPHY AS ART SINCE THE SIXTIES 'Agency and Automatism' is the culminating conference of the 3 year AHRC research project 'Aesthetics after Photography,' co-directed by Margaret Iversen (Dept of Art History & Theory, University of Essex) and Diarmuid Costello (Dept of Philosophy, University of Warwick).
Action and Automatism – Nonsite.org
- https://nonsite.org/action-and-automatism/
- Diarmuid Costello, “Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts,” in Critical Inquiry 38.4, special issue “Agency and Automatism: Photography as Art since the Sixties,” Costello, Margaret Iversen and Joel Snyder, eds. (Summer 2012): 819-854; Rosalind Krauss, ‘“The Rock:” William …
Automat, Automatic, Automatism: Rosalind Krauss …
- https://wrap.warwick.ac.uk/51087/1/WRAP_costello_667426.pdf
- Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts Author(s): Diarmuid Costello Reviewed work(s): Source: Critical Inquiry, Vol. 38, No. 4, Agency and Automatism: Photography as Art Since the Sixties, edited by Diarmud Costello, Margaret Iversen, and Joel Snyder (Summer 2012),
Diarmuid Costello – Critical Inquiry
- http://criticalinquiry.uchicago.edu/book_review/author/diarmuid_costello/
- Between 2007-2011 he was Co-Director of the AHRC “Aesthetics after Photography” research project and has co-edited three special journal issues on photography: “Photography after Conceptual Art” ( Art History, 32.5, 2009), “The Media of Photography” ( The Journal of Aesthetics and Art Criticism, 70:1, 2012) and “Agency and Automatism: …
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