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Annette Messager | My Vows (Mes Voeux) | The Metropolitan Museum of Art
- https://www.metmuseum.org/art/collection/search/703004
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Annette Messager. My Vows. 1988-91 | MoMA
- https://www.moma.org/collection/works/79724
- Annette Messager My Vows 1988-91. My Vows brings together hundreds of photographs that each present a small part of a human body: mouth, ear, foot, nose, genitals, hand, breast, and so on. Each hangs from a string, joining and partly obscuring others. Together they make a dense circle whose diameter is barely greater than the height or arm span of a tall person.
Annette Messager | My Vows (Mes Voeux) | The …
- https://www.metmuseum.org/art/collection/search/703004
- Title: My Vows (Mes Voeux) Artist: Annette Messager (French, born 1943) Date: 1990. Medium: 106 gelatin silver prints, bound between glass and cardboard, black tape, twine and acrylic push pins. Dimensions: Variable. Classification: Photographs. Credit Line: Gift of David M. McKee, 2015. Accession Number: 2015.726.1–.106
Annette Messager | My vows (1988 - 1991) | MutualArt
- https://www.mutualart.com/Artwork/My-vows/435E0AEF2BDD12E7
- Annette Messager. My vows, 1988 - 1991 gelatin silver print, glass, tape and string Photography. 62 cm
Annette Messager - My Vows [1988-91] - Flickr
- https://www.flickr.com/photos/gandalfsgallery/6986776513/
- Annette Messager - My Vows [1988-91] My Vows brings together hundreds of photographs that each present a small part of a human body: mouth, ear, foot, nose, genitals, hand, breast, and so on. Each hangs from a string, joining and partly obscuring others.
Messager Annette | My Vows (1990) | MutualArt
- https://www.mutualart.com/Artwork/My-Vows/1F5BB8148699C46E
- Annette Messager. My Vows, 1990. Gelatin silver prints and string, Dimensions vary with installation. Photography. approx.: 140 x 73 in. OVERVIEW. LOT PERFORMANCE.
Annette Messager - Reframing Photography
- https://www.reframingphotography.com/content/annette-messager
- Annette Messager, My Vows, 1988–1991. Photographs, colored graphite on paper, string, black tape, and pushpins over black paper or black synthetic polymer paint. Overall size approximately 356.2 x 200cm. Museum of Modern Art. © ADAGP, Paris and DACS, London 2010.
Annette Messager: Fragmented Bodies & Divided Identities
- https://theculturetrip.com/europe/france/articles/annette-messager-fragmented-bodies-divided-identities/
- 7 November 2016. View. Annette Messager is one of France’s foremost contemporary artists, and her unique installations have been exhibited around the world. Helena Cuss explores the way in which her work offers a catalogue of fragments; of bodies, identities and images. Body parts jump out of Annette Messager’s work titled My Vows with a life of their …
Annette Messager - John McDonald
- https://www.johnmcdonald.net.au/2014/annette-messager/
- Annette_Messager, MES VOEUX – MY VOWS, (1989) My Vows is one of two works sourced from the collection of the National Gallery of Australia, along with the room-sized installation, Penetration (1993-94). Messager has enjoyed a sporadic relationship with this country since 1984, when her work was included in the 5th Biennale of Sydney, Private Symbol/Social …
Annette Messager | MoMA
- https://www.moma.org/calendar/exhibitions/471
- MoMA. Annette Messager is the first retrospective in the United States of the work of French artist Annette Messager (b. 1943), one of the most provocative and important contemporary artists working in Europe. Alternating between a quiet conceptualism and a raucous expressionism, the work in the exhibition includes books that inquire into the nature of …
Annette Messager my vows museum of modern art new …
- https://www.pinterest.com/pin/410531322256733073/
- Annette Messager - My Vows. Jo Joy. Art.Art. Magritte. Illinois. Dark Images. Dark Pictures. Southern Gothic. Shooting Photo. Geek Culture. Vintage Halloween. Halloween Boo. Halloween is coming a little early to the Akron Art Museum. Check out our Halloween-y art all week long and join us for Halloween inspired events on Thursday, October 24 ...
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