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4 Ideas from the Photographic Writings of Roland Barthes
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/4-ideas-photographic-writings-roland-barthes
- Roland Barthes was an immensely influential French thinker who wrote at length about photography throughout his career. He is among the most frequently quoted voices on the subject, and his work offers a solid entry point into the world of photo theory.
Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- French thinker Roland Barthes is a classic author of modern philosophy about the nature of photography. His books and essays are standard reading in every university teaching photography as well as for every photographer looking for theoretical reference on the subject.
Understanding Roland Barthes’ problem with photography
- https://photofocus.com/found/understanding-roland-barthes-problem-with-photography/
- Whichever the case, if you’re in the mood for more learning, the insights of French literary theorist and philosopher Roland Barthes on photography may inspire you. In the latest video above, Jamie Windsor introduces us to “Camera Lucida,” a short book of Barthes’ philosophical musings on photography that was first published in 1980.
Barthes and Time Traveling with Photography - Honors …
- https://blogs.bsu.edu/honors/2019/03/12/barthes-time-traveling-with-photography/
- One of the most prominent is Camera Lucida, by the French writer Roland Barthes (1915-1980). Barthes’ goal is to understand what photography is and what it does that no other medium of expression does. In doing so, he posits the ideas of the studium and the punctum as critical to understanding photography.
Roland Barthes and the Opposite of Photogenic: …
- https://www.lensculture.com/articles/jason-pearl-roland-barthes-and-the-opposite-of-photogenic-photography-s-uncomfortable-intimacy
- The phrase is a little ironic, but Barthes believed strongly in the power of photography—especially amateur photos—to display artless truths, accidental …
Roland Barthes on Photography: The Critical Tradition in …
- https://www.amazon.com/Roland-Barthes-Photography-Perspective-Crosscurrents/dp/0813014697
- French theoretician Roland Barthes enjoyed a long and shifting relationship with photography, using it first as metaphor, moving on to explore its use in movies, film stills, political campaigns, and popular photographic essays, and finally confronting it anew with the death of his mother.
The Photographic Message – Roland Barthes | Yatesweb
- https://www.yatesweb.com/the-photographic-message-roland-barthes/
- Prima facie, for Barthes a photograph is a depiction of reality, or, as he notes, a message without a code. That reality is defined by perspective, colours and so forth, with the creation of an analogue of that reality, an analogon. This reminds my of my undergraduate days. One of my final essays was the Criteria for Diagrammatic Truth.
Benjamin, Barthes and the Singularity of Photography
- https://academic.oup.com/fs/article/68/4/570/604387
- The critical dialogue between the two, and particularly between the aura and the punctum, is developed largely in the second part, on Barthes. Here I was struck by the way in which the always mobile distinction of studium and punctum is elaborated by exploring the sequence of photographic portraits Barthes considers in formulating this dynamic.
Benjamin, Barthes and the Singularity of Photography
- https://www.artdoc.photo/books/benjamin-barthes-and-the-singularity-of-photography
- it argues that despite the different historical, philosophical and cultural contexts of their work, benjamin and barthes engage with similar issues and problems that photography uniquely poses, including the relationship between the photograph and its beholder as a confrontation between self and other, and the dynamic relation between time, …
Roland Barthes
- http://rolandbarthes.org/
- Barthes derives the Form of photography from the famous photograph of his mother in a garden: the Winter Garden Photograph. However, he does not show us this photograph because we cannot see a Form; it is an idea, it is a perfection, it is always unseen. Death, time and memory are all embodied within the Winter Garden Photograph; it is a single ...
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