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Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/#:~:text=How%20does%20Roland%20Barthes%20define%20the%20photographic%20paradox%3F,connotation%20and%20another%20one%20with%20code%20and%20connotation.
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Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- From this arises the so-called “photographic paradox” that Roland Barthes speaks of. It is the coexistence of two messages, one without a code and therefore without connotation and another one with code and connotation. Conclusions about …
Roland Barthes – Photographic Message and the Photographic …
- https://alan-carmichael-visual-diary.blogspot.com/2011/03/roland-barthes-photographic-message-and.html
- So the photographic paradox, according to Barthes, I think I have this right, is the co-existence of the non-coded, the photographic analogue and the coded, the art or rhetoric of a photograph, the artistic dialogue, so the coded message is created from the message without a code.
4 Ideas from the Photographic Writings of Roland Barthes
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/4-ideas-photographic-writings-roland-barthes
- This paradox lends every photograph a touch of nostalgia or longing. ... The punctum is the most powerful, even dangerous, aspect of …
Barthes – The Photographic Message (1961) – Earth Wide Moth
- http://www.earthwidemoth.com/blog/2005/09/06/barthes-the-pho/
- Barthes refers to several such photographs in this essay from 1961. He was concerned with contending orders of connoted and denoted meanings operable in the reading of photographs. The "photographic paradox," as he puts it, involves the double structure of contending linguistic orders (connotative, denotative) and the photograph as
Understanding Roland Barthes’ problem with photography
- https://photofocus.com/found/understanding-roland-barthes-problem-with-photography/
- He also delves on the problem that Barthes found on the disconnect between the perceived meaning of a photo and the emotional connection that viewers experience. A lot of us may not be familiar yet with these terms or Roland Barthes’ insights on photography. But Windsor’s exploration of the topic provides a good explanation on why viewers ...
The Photographic Message – Roland Barthes | Yatesweb
- https://www.yatesweb.com/the-photographic-message-roland-barthes/
- Barthes continues by explaining that photographers add meaning to their images by using what he calls ‘connotation procedures’. He consistently draws parallels between reading text and reading images. But putting these procedures into photographic terms, he sees six. Trick effects: Photographs can be faked.
The Photographic Message - Evergreen State College
- https://archives.evergreen.edu/webpages/curricular/2006-2007/ccfi/files/ccfi/Barthes%20-%20the%20photographic%20message.pdf
- The photographic paradox can then be seen as the co-existence of two messages, the one without a code (the photographic analogue), the other with a code (the 'art', or the treatment, or the 'writing', or the rhetoric, of the photograph); structurally, the paradox is clearly not the collusion of a denoted message and a connoted message?
Barthes, "The Photographic Message" (abstract) - UV
- https://www.uv.es/~fores/programa/barthes_photographicmess.html
- Barthes lays out six "connotation procedures" or processes whereby a photograph takes on a connoted meaning. These are: trick effects, pose, objects which index certain things, photogenia, aestheticism, and syntax, where photographs exist in a series.
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