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Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- Conclusions about Roland Barthes’ theory of the photographic paradox. In summary we can say: The photographic image is a message without a code, it’s continuous. At the same time it is a connotative message, but not at the level of the message itself, but at the level of its production and reception. The photographic image is a ...
Roland Barthes: Camera Lucida - Art History Unstuffed
- https://arthistoryunstuffed.com/roland-barthes-camera-lucida/
- The photograph, for Barthes, “blocks memory” and “becomes a counter-memory.” Barthes was best when he examined the correlation of photography with death. A photograph stopped time and reduced it to a frozen instant. Life went on, the subject changed but the photography stayed the same, even when the person died, the image was left behind.
Bates – The Memory of Photography | Identity and Place
- https://scottishzoeidentityandplace.blog/2019/11/21/bates-the-memory-of-photography/
- Involuntary memory = An involuntary response to an image. An unexpected response to something in the past. Voluntary memory = studium – information that comes externally. Memories are a combination of a complex interaction between artificial memories, from a photograph, a book, or other external information with an ‘natural’ , internal ...
Roland Barthes on Photographing the Unconscious in …
- https://bookoblivion.com/2018/12/08/roland-barthes-camera-lucida/
- The French literary theorist, Roland Barthes (1915 – 1980), explores the power of photography in his 1979 book, Camera Lucida. In this …
4 Ideas from the Photographic Writings of Roland Barthes
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/4-ideas-photographic-writings-roland-barthes
- 4 Ideas from the Photographic Writings of Roland Barthes. There is nothing worse than a sharp image of a fuzzy concept.”. — Ansel Adams. A …
Understanding Roland Barthes’ problem with photography
- https://photofocus.com/found/understanding-roland-barthes-problem-with-photography/
- Since the global pandemic hit last year, many of us saw our photography derailed or even ground to a halt. As a result, we were confined to either refining our workflow, practicing editing with old photos or learning new skills instead of shooting.Whichever the case, if you’re in the mood for more learning, the insights of French literary theorist and philosopher Roland …
Barthes revisited: photographic experiments | Art21 Magazine
- http://magazine.art21.org/2008/06/05/barthes-revisited-photographic-experiments/
- In Camera Lucida (1980), Barthes develops themes such as proximity and distance, the relationship between photography and theatre, history and death. He identifies the exchange of meaning between the photography and the viewer and mentions two elements, which he thinks are present in a successful photography, studium and punctum.
Roland Barthes
- http://rolandbarthes.org/
- He abandons his quest, and the book evolves into a novella of memory and mourning, with interstices of philosophy, over the death of his mother. In Camera Lucida Barthes sets up many binaries: ode and palinode, studium and punctum, mad and tame, seen and unseen, form and emptiness, life and death, illusion and reality.
Benjamin, Barthes and the Singularity of Photography
- https://academic.oup.com/fs/article/68/4/570/604387
- This meticulously researched and enlightening study will be essential reading for anyone seeking in-depth immersion in the theory, history, and affective content of photography in two of its key explorers. In company with Katja Haustein's Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes (Oxford: Legenda ...
Master Index - Camera Lucida
- https://rolandbarthes.org/?page_id=258
- C. THE THIRD FORM OF PHOTOGRAPHY: MEMORY. What Is Memory? Memory According to Henri Bergson. Present Moment Awareness Is Beyond Memory. Why Do I Retrieve My Memories? Killing the Present by Taking the Photograph; The Metaphor of Impermanence. Memory In Camera Lucida. Sources of memory triggers: cakes, boots, photographs, dreams and reveries
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