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Behind the Camera: Competition vs Art Photography
- https://gkiserphotography.com/behind-the-camera-competition-vs-art-photography/#:~:text=The%20origins%20of%20competition%20level%20photography%20will%20generally,of%20images%20where%20they%20received%20the%20most%20reinforcement.
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How to be Competitive in the Photography Industry
- https://handandarrow.com/how-to-be-competitive-in-the-photography-industry/
- While we tend to see big name athletes while they are playing their sport in front of huge crowds of people and televised audiences, much of their competitive edge is defined outside of these significant moments. As a photographer, becoming competitive is dependent on figuring out who you are, and what you want to be, in your market.
The basics of photography composition | Adobe
- https://www.adobe.com/creativecloud/photography/discover/photo-composition.html
- It involves evenly dividing the frame between two equally spaced horizontal and vertical gridlines, creating a three-by-three grid. In order to create balance and flow within the image, compositional elements should be placed where these lines of the grid intersect or segment your image.
30 Free Photography Contests and Competitions for …
- https://fixthephoto.com/photography-contests.html
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3 Reasons Why Photo Competitions Are Important For …
- https://iso.500px.com/photo-competitions-are-important-for-your-career/
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4 Reasons Professional Photographers Should Enter …
- https://www.ppa.com/articles/4-reasons-professional-photographers-should-enter-photographic-competitions
- PPA is the best competition because they are all about helping YOU improve. You are competing against yourself in a PPA competition, up until they get to Best of Show. Then, you are competing against the other entries.” ~ PPA Member “While many of the images may not be your specific style or genre, you only stand to benefit from the competition.
Criteria for Judging a Photo Contest - Marden-Kane
- http://www.mardenkane.com/articles/criteria-for-judging-a-photo-contest.html
- Composition Clarity and Quality of Submission Color, Lighting, Exposure and Focus Audience Appeal Newly suggested Judging Criteria for a Photo Contest: Marketability/Commercial Appeal Newsworthiness Inspirational Power Expression of Theme Usage of Brand to Reinforce Theme Overall Impression/Impact Current/Potential Social Impact …
12 Tips to Increase your Chances of Winning …
- https://www.photographyaxis.com/photography-articles/winning-photography-competitions/
- All photography competitions will have a set of rules. So, you should read and understand it correctly. Please make sure that you submit only those images which meet the guidelines. They may have restrictions in image editing, size of the image, and resolution of the picture. So, look for these rules carefully. 2. Photo to Match with Theme. All photography …
The Basis of Competition - Smartstartcoach
- https://www.smartstartcoach.com/the-basis-of-competition/
- Quality — Your customer is influenced on the basis that your product line is of better quality than the competition in: appearance, performance, results. Price — Your customer is influenced on the basis of a lower price since you and your competitors’ product and marketing mix are essentially undifferentiated. Brand Name/Image/Reputation ...
Behind the Camera: Competition vs Art Photography
- https://gkiserphotography.com/behind-the-camera-competition-vs-art-photography/
- You may have guessed it. The origins of competition level photography will generally come from a classroom setting. Those that learn photography from a technical standpoint first and foremost will generally gravitate towards technically perfect images because those are the types of images where they received the most reinforcement.
Top 6 Composition Photography Rules to Improve Your …
- https://www.city-academy.com/news/photography-composition-rules/
- Too much 'negative' or unused space might not work for your photo. You could get closer to your subject on these lines, or zoom in to fill the frame. 4. Diagonal lines. Diagonal lines bring dynamism and energy to your composition, providing a sense of depth when they converge, or crossover other lines. 5. High or low
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