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Bern Schwartz
- https://www.bernschwartz.org/
- When businessman Bern Schwartz embarked on a second career as a portrait photographer at the age of sixty, he could not have imagined the success that awaited him. Within just five years he would capture the faces of the most revered figures in Israel, Great Britain, America and beyond. The staggeri
ABOUT BERN — Bern Schwartz
- https://www.bernschwartz.org/about
- Bern Schwartz, Self-Portrait, La Jolla, CA, 1975. After a successful career in business, Bern Schwartz (1914–1978), returned to his hobby of photography at the age of sixty. Within just four years, he established himself as a renowned portrait photographer attracting famous sitters from across the globe. These included prominent members of ...
PORTRAITS — Bern Schwartz
- https://www.bernschwartz.org/portraits/
- PORTRAITS. When businessman Bern Schwartz embarked on a second career as a portrait photographer at the age of sixty, he could not have imagined the success that awaited him. Within just five years he would capture the faces of the most revered figures in Israel, Great Britain, America and beyond. The staggering range of sitters included ...
Bern Schwartz | International Center of Photography
- https://www.icp.org/browse/archive/constituents/bern-schwartz
- At the age of 60 Bern Schwartz transformed his long-term hobby of photography into a new career. His fresh ambition was solidified when ICP’s founding director Cornell Capa introduced Schwartz to Philippe Halsman in 1975 after a lecture by the master portrait photographer. Bern Schwartz’s enthusiasm and desire to allow photography to take his life in a new direction …
Bern Schwartz - Museum of Photographic Arts (MOPA)
- https://mopa.org/exhibitions/bern-schwartz/
- Bern Schwartz (1914–1978) was a portrait photographer who worked with significant figures of the 1970’s, including artists, heads of state, and royalty. His style was intimate and informal. Rather than stay behind the camera, he conversed with his subjects. He kept the shutter release in his pocket so they did not notice as he took […]
THE FOUNDATION — Bern Schwartz
- https://www.bernschwartz.org/the-foundation
- Named after the businessman and portrait photographer, Bern Schwartz, The Bern Schwartz Family Foundation seeks to advance public knowledge and appreciation of photography as an art form. It endeavors to promote and maintain high standards consistent with the examples of portrait photographs taken by Schwartz and other noted photographers.
TECHNIQUE — Bern Schwartz
- https://www.bernschwartz.org/process
- My goal is to create pictures that are true to the personality of each subject, and will stand the test of time, both for what the subjects have accomplished and because of the manner in which I have been able to present them by means of my camera. View fullsize. Bern Schwartz, Self-Portrait, The study, Schwartz’s flat, Eaton Square, London ...
EXHIBITIONS — Bern Schwartz
- https://www.bernschwartz.org/exhibitions
- Portraits by Bern Schwartz are, or have been featured in, exhibitions/displays at the following institutions: The International Center of Photography (ICP), Bowery, New York, NY - 2019. The David Hockney Gallery, Cartwright Hall, Bradford - 2017 to present. The Gielgud Theatre, London - 2017 to present.
PRESS — Bern Schwartz
- https://www.bernschwartz.org/press
- Bern Schwartz', Australian Photography, May 1979, 44-49. A successful businessman with a lifelong interest in photography, Bern Schwartz has astonished the world with the success of his ambitious plans to take colour portraits of the leading decision and taste makers in English society, and elsewhere in the world.
ACTIVITIES — Bern Schwartz
- https://www.bernschwartz.org/activities
- Catlin Langford, the Curatorial Fellow in Photography at the V&A, supported by the Bern Schwartz Family Foundation, discusses the main focus of her research: Autochromes. Over the last few months, I have been undertaking a wide range of activities. Initially, I focused on the production of Colour Mania, the Thames & Hudson/ V&A publication looking at the V&A’s autochrome …
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