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carte-de-visite | photography | Britannica
- https://www.britannica.com/technology/carte-de-visite
- carte-de-visite, originally, a calling card, especially one with a photographic portrait mounted on it. Immensely popular in the mid-19th century, the carte-de-visite was touted by the Parisian portrait photographer André-Adolphe-Eugène Disdéri, who patented the method in 1854. Disdéri used a four-lensed camera, which made eight 3.5 × 2.5-inch (8.89 × 6.35-cm) negatives on one full …
History of Photography: The Carte-de-Visite - Photofocus
- https://photofocus.com/inspiration/the-carte-de-visite/
- In 1854, a photographer by the name of André Disdéri patented a new take on the collodion process called the Carte-de-Visite (or Carte, for short). Though they could be a singular image, Cartes were often multiple exposures taken onto a single sheet of paper, creating almost a collage effect. A multi-lens camera had tubular lenses […]
Antique Cartes-De-Visite Photographs | Collectors Weekly
- https://www.collectorsweekly.com/photographs/cdvs
- Carte-de-visite, or CDV, is French for "visiting card" or calling card. That's because when a French daguerreotypist named André Adolphe-Eugène Disdéri patented a method for exposing multiple negatives onto a single plate in 1854, the resulting 2 1/2- by 4-inch albumen prints were intended to replace conventional calling cards, which only displayed the bearer's name and other printed ...
The First Great Photography Craze: Cartes de Visites
- https://petapixel.com/2019/03/14/the-first-great-photography-craze-cartes-de-visites/
- In 1854, Paris photographer Andre Adolphe Disderi patented the 2 1/2″ x 4″ carte de visite format. They were created by using a sliding plate holder and a …
How to spot a carte de visite (late 1850s–c.1910)
- https://blog.scienceandmediamuseum.org.uk/find-out-when-a-photo-was-taken-identify-a-carte-de-visite/
- A carte de visite is a photograph mounted on a piece of card the size of a formal visiting card—hence the name. The format was patented by the French photographer Andre Adolphe Eugene Disdéri (1819–89) in 1854. Most professional portrait photographers of the 1850s took either daguerreotypes or collodion positives.
Cartes De Visite in Nineteenth Century Photography …
- https://www.amazon.com/Cartes-Visite-Nineteenth-Century-Photography/dp/091311605X
- Cartes de visites thrived from 1857 until 1900 and lasted into the 1920s. Darrah describes extensively the phenomenon in terms of the photographic revolution and the industry it fostered. Dust jacket notes: "This book is a comprehensive and authoritative survey of cartes de visite, the most popular type of photographs in the nineteenth century.
Carte de visite Photograph Album | MAVCOR
- https://mavcor.yale.edu/conversations/object-narratives/carte-de-visite-photograph-album
- Rachel McBride Lindsey. Carte de visite Photograph Album, ca. 1862-1872. At times something entirely ordinary can reveal something extraordinary. In its embossed leather binding, brass clasps, and gilt-edged pages, this photograph album is identical to thousands upon thousands of others that flooded American marketplaces in the 1860s and early ...
A Brief History of the Carte de Visite from The American Museum …
- https://www.photographymuseum.com/histsw.htm
- A BRIEF HISTORY OF THE CARTE DE VISITE Carte de Visite photographs--small albumen prints mounted on cards 2-1/2 by 4 inches--were wildly popular and made for decades in countries around the world. The format was an international standard; for the first time, relatives and friends could exchange portraits, knowing they would find a place in the recipient's family album- …
Cartes-de-Visite - Nantucket Historical Association
- https://nha.org/research/nantucket-history/history-topics/cartes-de-visite-the-first-pocket-photographs/
- Cartes-de-visite were much cheaper to buy than images made from the earlier processes of photography. They were also less delicate, requiring no velvet-lined cases, which made them ideal for mailing to friends in far-away places. Cartes-de-visite of famous actors, members of royal families, and works of art were also commercially available.
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