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How to Whitewash Pictures : Digital Pictures & Graphics - YouTube
- https://www.youtube.com/watch?v=GIf1yus3f90
- Subscribe Now:http://www.youtube.com/subscription_center?add_user=ehowtechWatch More:http://www.youtube.com/ehowtechWhitewashing is a very specific technique...
3 Rookie Mistakes to Avoid When Shooting on a White Background
- https://digital-photography-school.com/3-rookie-mistakes-to-avoid-when-shooting-on-a-white-background/
- If you do not include some floor shadows, your subject will look like it is floating on white air, or like it’s cut out and pasted on a white sheet of paper. The best tip for avoiding floating subjects is to use a reflective surface such as translucent white plexiglass, or white tile sheet, as a base for your subject to stand on. You can adjust the opacity of the reflection in Photoshop during post …
Re: White Washout Before Exposure?: Sony Alpha Full Frame E …
- https://www.dpreview.com/forums/post/61016107
- Expert news, reviews and videos of the latest digital cameras, lenses, accessories, and phones. Get answers to your questions in our photography forums.
What is White Balance in Photography?
- https://photographylife.com/definition/white-balance
- In simpler language, white balance in digital photography means adjusting colors so that the image looks more natural. We go through the process of adjusting colors to primarily get rid of color casts, in order to try to resemble the colors in our images with reality. The good news is, adjusting white balance is very easy.
4 Tips for a Perfect White Background in High Key Photography
- https://digital-photography-school.com/4-tips-perfect-white-background-high-key-photography/
- Simply move your model four to six feet away from your background and hide a flash behind your model, pointing it at the background. When you take your photo, the flash will light the background to overexpose it and make it appear completely white. …
Why do your photos end up looking washed out and grey?
- http://www.mdavid.com.au/photography/washedout.shtml
- Macro photography part 1 Using your DSLR for bug shots. Macro photography part 2 Ironing the bugs out of bug shots. One simple trick The easiest way to get better wildlife photos. Wildlife photography Tricks the pros use to get better pictures of critters. Bird photography part 1 Small, distant, and feathered does not have to mean a bad photo
4 Ways to Revive a Washed-out Photo | Learn Photography by …
- https://learn.zoner.com/4-ways-revive-washed-photo/
- 2. Work with lights, shadows, and the tone curve. For the following photo I’ll go a little bit further. This picture, taken in the evening twilight, visibly lacks light in some parts. The clouds, which should look white and a little pink, look gray instead. So …
Avoiding Overexposed Skies in Digital Photography
- https://www.itsjustlight.com/photography-tips/avoiding-overexposed-skies/
- Even in the early morning and late afternoon, when the sun doesn’t seem as bright to us, it’s still capable of creating overexposed skies if you shoot directly into it. Of course, sometimes this is just the effect you want, but always be mindful of where the sun is located. This scene was captured in New Mexico using a Canon 16-35mm f/2.8 L ...
Why does the sky often come out white in my photos? | Discover …
- https://www.discoverdigitalphotography.com/2015/why-does-the-sky-often-come-out-white-in-my-photos/
- You take a photo of a scene with a nice sky, but the photo comes out with a white or very bright pale colored sky. The issue here is that your eye has a much greater dynamic range than your camera. Dynamic range is the range of tones from dark to bright. Our eyes can see a wide range of tones, while a camera can only record a limited range.
Lighting For White Background Portraits - Digital Photo
- https://www.dpmag.com/how-to/shooting/lighting-for-white-background-portraits/
- Put simply, to make a white background appear bright white in pictures, it has to be slightly overexposed relative to the subject. But, too much overexposure makes the background light blow out and affect the subject, blurring his or her edges and causing flare that saps contrast and sharpness. The process begins by metering the lights independently.
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