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The Disturbing Photography of Sally Mann - The New York Times
- https://www.nytimes.com/2015/04/19/magazine/the-disturbing-photography-of-sally-mann.html
- The Disturbing Photography of Sally Mann. This cover story appeared in the magazine on Sept. 27, 1992, and is discussed in an article by Sally Mann in the April 19 issue. At the opening last ...
The Disturbing Photography of Sally Mann - Edwynn Houk Gallery
- https://www.houkgallery.com/news/187-the-disturbing-photography-of-sally-mann-sally-mann-in-the-new-york-times/
- The Disturbing Photography of Sally Mann. Sally Mann in the New York Times. At the opening last spring of "Immediate Family," Sally Mann's show at the Houk Friedman Gallery in New York, the winsome young subjects of the photographs aroused as much curiosity as the artist herself. Motoring among the spectators like honorees at a testimonial dinner, Mann's three children -- …
The Disturbing Photography of Sally Mann - Artsy
- https://www.artsy.net/article/featured-in-the-new-york-times-the-disturbing-photography-of-sally-mann
- The Disturbing Photography of Sally Mann Aug 18, 2013 5:42pm "I don't remember the things that other people remember from their childhood," Mann says one day as she drives the children home from a photo session.
Why Sally Mann’s Photographs of Her Children Can Still Make
- https://www.artsy.net/article/artsy-editorial-sally-mann-s-photographs-children-viewers-uncomfortable
- Mann recalls taking her children to a psychologist to assess the impact her series was having on them; he thought they were just fine. In September 1992, The New York Times Magazine ran a cover story by arts critic Richard B. Woodward entitled “The Disturbing Photography of Sally Mann.” The piece wasn’t overtly critical, but honed in on the children’s sexuality and raised …
THE DISTURBING PHOTOGRAPHY OF SALLY MANN - The New …
- https://www.nytimes.com/1992/10/18/magazine/l-the-disturbing-photography-of-sally-mann-506792.html
- THE DISTURBING PHOTOGRAPHY OF SALLY MANN. Give this article. Oct. 18, 1992. The New York Times Archives. See the article in its original context from. October 18, 1992, Section 6, …
Sally Mann Photos – Intimate, Visceral | Incredible Art
- https://www.incredibleart.com/sally-mann/
- Photos by Sally Mann have appeared on its cover at least twice: first in 1992, a picture of the three children for a feature article covering her so called disturbing work and again in September 2001, a self-portrait including her two young daughters for …
Southern Discomfort: The Photographs of Sally Mann - Riot Material
- https://www.riotmaterial.com/sally-mann-thousand-crossings/
- Sally Mann is an outlier of sorts, stubbornly choosing to live on her farm in Lexington, Virginia, away from the urban centers where there are collectors, galleries and museums. She shot to fame in 1992 when she published the photographs of her three children in various stages of activity, sometimes nude (a self-described “wild child ...
Photographer Sally Mann's memoir Hold Still is stark, disturbing …
- https://www.nashvillescene.com/arts_culture/photographer-sally-manns-memoir-i-hold-still-i-is-stark-disturbing-and-beautiful/article_2ca9cd51-9357-5fed-80f5-2cc4e1079fcc.html
- In Mann's new book Hold Still: A Memoir With Pictures, released last week through Little, Brown and Co., she writes that this was the moment she asked herself what …
Exposures: Photographer Sally Mann and the Dangerous Art of …
- https://www.eileenmcginnis.com/blog/2019/4/29/exposures-photographer-sally-mann-and-the-dangerous-art-of-motherhood
- Even The New York Times Magazine, which published an extensive profile of Mann back in 1992, titled the piece “The Disturbing Photography of Sally Mann.” Accusations of exposing her children’s bodies to pedophiles (about 1/5 of the photos in …
Sally Mann, the rectitude and the use of children - Claude Gauthier
- https://cgauthier.ca/en/2018/01/14/sally-mann-use-of-children/
- In the 1970s, Sally Mann made her own artistic journey by creating disturbing images of children intimacy and the passage of time. The work develops around themes that are close to her: portraits – those of her children – and landscapes, which seem timeless and invaded by an exuberant nature and full of symbols.
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