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Dora Maar | Repensar Guernica
- https://guernica.museoreinasofia.es/en/agente/dora-maar-5274
- Dora Maar. Henriette Theodora Markovitz (1907–1997) was one of the pre-eminent photographers from the sphere of French Surrealists, drawing admiration from Man Ray, André Breton and Paul Éluard, to name but a few. With her camera she documented the process of creation and transformations of Guernica between 11 May and 4 June 1937 in Picasso’s studio …
Dora Maar (Henriette Theodora Markovitch) - Reportage …
- https://www.museoreinasofia.es/en/collection/artwork/reportage-sur-levolution-guernica-photo-report-evolution-guernica-12
- Pablo Picasso began work on sketches for Guernica on May 1 st 1937. From May 11 th until June 4 th of that year, Dora Maar visited his studio in the Rue des Grands-Augustins to make a photographic record of the entire creative process. A number of people around Picasso realised how important the work was, and Christian Zervos, who had founded Cahiers d’art in 1926, …
Dora Maar Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/maar-dora/
- Maar was an invaluable documenter of the lives of fellow artists. She famously photographed Picasso whilst he completed the important large-scale painting Guernica (1937), and like Lee Miller, made memorable portraits of other female Surrealists. Whilst Miller flooded her pictures of Nusch Eluard and Leonor Fini with light depicting her friends as idealists, Maar surrounded the …
Does Dora Maar Deserve Credit for ‘Guernica’? A New …
- https://news.artnet.com/art-world/dora-maar-revealed-picassos-muse-guernica-show-1244849
- Dora Maar, photograph of Guernica, May-June, 1937, Musée National Picasso-Paris, copyright RMN-Grand Palais, Mathieu Rabeau and Succession Picasso, 2018.
Dora Maar, Photo Report from the Evolution of Guernica [Stage I]
- https://neveragain.artmuseum.pl/en/artysta/dora-maar
- Twenty-eight photographs taken by Dora Maar between 11 May and 4 June 1937 at Picasso’s studio provide a unique record of the making of one of the most iconic artworks of the 20th century. When the government of the Second Spanish Republic commissioned from the artist a large-scale mural for Spain’s national pavilion at the Paris World Exposition, his homeland was …
Dora Maar's report on Guernica 's progression
- https://guernica.museoreinasofia.es/en/document/dora-maars-report-guernicas-progression
- Stories: The Endurance of the Pavilion of 1937 Artistic Debates Guernica as a political symbol Bombings. Picasso’s Studio, 7 rue Grands Augustins, Paris Museo Nacional Centro de Arte Reina Sofía Paris. Browse in chronology : Photograph Dora Maar The Endurance of the Pavilion of 1937.
2022 - Dora Maar drove Picasso to Guernica - new biography
- https://gettotext.com/dora-maar-drove-picasso-to-guernica-new-biography/
- This is what Brigitte Benkemoun, the author of a new biography of Dora Maar, recently published in German, says on the phone (“The address book of Dora Maar”, BTB-Verlag, Munich 2021). Photographing in the workshop of the genius. In the painting “Guernica” Dora Maar is present several times, she played a decisive role in it.
Dora Maar - Wikipedia
- https://en.wikipedia.org/wiki/Dora_Maar
- Maar photographed the successive stages of the creation of Guernica, painted by Picasso in his studio in the rue des Grands-Augustins from May to June 1937; Picasso used these photographs in his creative process. She was Picasso's principal model, and he often represented her in tears.
Dora Maar - 59 Artworks, Bio & Shows on Artsy
- https://www.artsy.net/artist/dora-maar
- French, 1907–1997. 1.6k Followers. Bio. Dora Maar’s artistic career is often overshadowed by her role in Pablo Picasso ’s work, as both his frequent model and muse and the documentarian of the making of his Guernica (1937). Maar had an active and …
The Surrealistic World of Dora Maar - DailyArt Magazine
- https://www.dailyartmagazine.com/the-surrealistic-world-of-dora-maar/
- Dora Maar deserves credit for recording the creation of Picasso’s famous Guernica. She photographed the successive stages of the creation of the painting in his studio from May to June 1937; she might even have influenced him during the creative process.
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