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Robert F. Hammerstiel : Biografie
- http://www.hammerstiel.net/hammerstiel-en.html
- Die ersten Bilder, 1964/1991. With the extensive colour photograph trilogy Der Stand der Dinge. Österreich, created between 1988 and 1991, Robert F. Hammerstiel begins his research into everyday private life. He records still-life situations, past traces of human life, only undertaking minimal artistic interventions.
Robert F. Hammerstiel : Texte : Thomas D. Trummer : Images of a …
- http://www.hammerstiel.net/hammerstiel-texte/Thomas_Trummer-2014en.html
- Robert F. Hammerstiel is an unusual photographer. His photographs seem prosaic despite their bright colours, straightforward despite their illusions, crystalline despite their living subjects. ... Photography proves to be the medium best suited to raise the issues of visibility immunology in a way both critical and illustrative. Hygiene Many ...
Robert F. Hammerstiel – Photographer | PhotobookDB
- https://photobookdb.com/photographer/robert-f-hammerstiel/
- Search by ISBN, book title, photographer, keywords, etc. PhotobookDB > Photographers Photographers > Robert F. Hammerstiel
Robert F. Hammerstiel : Texte : Michael Ponstingl : Robert F ...
- https://www.hammerstiel.net/hammerstiel-texte/Michael_Ponstingl-2014en.html
- After beginnings that were undisputedly in the tradition of documentary auteur photography (as compiled in publications such as An Bord 1 (1985) and Stand-Orte (1988)), Robert F. Hammerstiel has now consistently focused his artistic explorations on the contemporary commodity world for more than twenty years.
Robert F. Hammerstiel : Text (en) : Bernd Schulz: Dialektische Bilder
- https://www.hammerstiel.net/hammerstiel-texte/hammerstiel-t01en.html
- Robert F. Hammerstiel, who has developed several strategies over the past ten years, has apparently set his stakes on this very potential of photography, that is, a subversive form of photography, one that makes us think. Hammerstiel treads on the less regarded territories of the private that are not yet part of the mainstream.
Robert F. Hammerstiel : Text (en) : Michael Müller: Vom Verlust …
- https://www.hammerstiel.net/hammerstiel-texte/hammerstiel-t10en.html
- Robert F. Hammerstiel shows presents them as options for transformation and individual appropriation. Laminated between two sheets of acrylic glass, the photographs signal inaccessibility and distance. This underscores the fact that, as mass products, they are interchangeable and create an impression of an endless and inflationary collection of ...
Robert F. Hammerstiel : Made by Nature – Made in China : Bilder
- https://www.hammerstiel.net/nature-img.html
- ALLES IN BESTER ORDNUNG. Made by Nature – Made in China, 2004 – 2006 C-Prints auf Aluminium, Kassettenrahmen, Acrylgläser, je 100 x 120 cm. Die Fotoserie Made by Nature – Made in China zeigt Nahrungsmittel aus Kunststoff, die in China für westliche Konzerne erzeugt werden. Die als tradierte Inszenierungen angelegten Stillleben verweisen einerseits auf historische …
Robert Hammerstiel - Dorotheum
- https://www.dorotheum.com/en/k/robert-hammerstiel/
- Robert Hammerstiel - Buy or sell works. 18 February 1933, Werschetz (Yugoslavia) Robert Hammerstiel is an Austrian painter, graphic artist and wood engraver. Born in Yugoslavia in 1933 into a Banat-German family, Hammerstiel learned the harshness of life at a young age. Along with his mother and brother, he was interned for three years in ...
Robert F. HAMMERSTIEL (1957) - Artprice.com
- https://www.artprice.com/artist/344662/robert-f-hammerstiel
- For Robert F. HAMMERSTIEL (1957) , the oldest auction result ever registered for an artwork by this artist is a photography sold in 2009, at Dorotheum, and the most recent auction result is a photography sold in 2017. Artprice.com's Advanced Analytics are based on 7 auction results. Especially: photography.
Robert F. Hammerstiel : Text (en) : Michelle Debat: Motifs de …
- https://www.hammerstiel.net/hammerstiel-texte/hammerstiel-t16en.html
- Hammerstiel shows us that he can also be miniaturised, fragmented and decontextualised by the aesthetics of the publicity shot, before being imprisoned by his mode of representation. He becomes a mere repetitive motif, self-identical and available to all – a motif-shell like the Barbie outfit in its blister bubble (Made it up, 1993-1994) that ...
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