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Henri Cartier-Bresson: The Decisive Moment - Photogpedia
- https://photogpedia.com/henri-cartier-bresson/#:~:text=He%20is%20perhaps%20the%20most%20significant%20and%20influential,was%20a%20pioneer%20of%20the%20street%20photography%20genre.
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Henri Cartier-Bresson Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/cartier-bresson-henri/
- In the 1970s, Cartier-Bresson retired from photography and even stopped taking photos altogether aside from producing a private portrait now and then. In fact, he stopped carrying around his camera, which had been like an extension of his body for much of his adult life; he kept the camera in a safe where it remained, little used, in the last years of his life.
Henri Cartier-Bresson and the Value of Photography
- https://www.tcs.cam.ac.uk/henri-cartier-bresson-and-the-value-of-photography/
- Photos where, seemingly through pure serendipity, the light, shadows, and subject, are in exactly the right place. Today, “perfect photographs”, taken at the “decisive moment”, has become almost synonymous with the works of legendary photographer Henri Cartier-Bresson. Celebrated as a master of street photography, he was a pioneer in ...
The Photography Of Henri Cartier Bresson: Geometry, Intuition, …
- https://theculturetrip.com/europe/france/paris/articles/geometry-intuition-and-sensitivity-in-the-photography-of-henri-cartier-bresson/
- In filmed interviews done later in the photographer’s life, Cartier-Bresson’s blunt responses to queries into his past as a photographer suggest a removal from this high speed period of his career. In 1966, the photographer quit Magnum and stopped taking pictures, returning instead to drawing and painting, a far more meditative creative process.
On Photography: Henri Cartier-Bresson, 1908-2004 - Photofocus
- https://photofocus.com/inspiration/on-photography-henri-cartier-bresson-1908-2004/
- The film ran vertically through the movie camera. Barnak turned the film on its side and increased the frame width to 36mm. The height was now 24mm for a landscape photograph. The first Leica was released in 1925 in the 24mm by 36mm format. Henri Cartier-Bresson began his photographic career in the early 1930’s.
Henri Cartier-Bresson | French photographer | Britannica
- https://www.britannica.com/biography/Henri-Cartier-Bresson
- It lent itself not only to spontaneity but to anonymity as well. So much did Cartier-Bresson wish to remain a silent, and even unseen, witness, that he covered the bright chromium parts of his camera with black tape to render it less visible, and he sometimes hid the camera under a handkerchief. The man was similarly reticent about his life and work.
5 Things to Know about Photographer Henri Cartier …
- https://www.artsy.net/article/artsy-editorial-henri-cartier-bresson-remains-one-photographys-figures
- Henri Cartier-Bresson viewed a powerful still image as the hairsbreadth of an instant. To his mind, a photographer had a fleeting moment when all the moving parts aligned, revealing something honest and true about the world—the photographer just had to know exactly when to fire the shutter. A strong composition wasn’t merely a product of serendipity, though: …
Henri Cartier-Bresson: The Decisive Moment - Photogpedia
- https://photogpedia.com/henri-cartier-bresson/
- Henri Cartier-Bresson was born in Chanteloup, Seine-et-Marne, on August 22, 1908. He was the oldest of five children born to Andre Cartier-Bresson, a wealthy textile manufacturer, and Marthe Leverdier, a daughter of cotton merchants and wealthy landowners. Bresson was educated in Paris at the Lyce ́e Condorcet.
Henri Cartier-Bresson • Photographer Profile • Magnum …
- https://www.magnumphotos.com/photographer/henri-cartier-bresson/
- Born in Chanteloup-en-Brie, Seine-et-Marne, Henri Cartier-Bresson developed a strong fascination with painting early on, and particularly with Surrealism.In 1932, after spending a year in the Ivory Coast, he discovered the Leica – his camera of choice after that moment – and began a life-long passion for photography.
Cartier-Bresson's Impact On Photojournalism | NPPA
- https://nppa.org/news/236
- Humanism, another element of his ethic, also infuses contemporary photojournalism. With few exceptions, Cartier-Bresson photographed people. They are seen with warmth, curiosity, empathy, and occasionally humor. It is no accident that of the 502 images that Edward Steichen chose for his Family of Man exhibition, 10 were by Cartier-Bresson. He spoke …
Henri Cartier-Bresson (1908–2004) | Essay | The …
- https://www.metmuseum.org/toah/hd/cabr/hd_cabr.htm
- The son of a wealthy textile merchant, Henri Cartier-Bresson studied painting at André Lhote’s academy in Montparnasse in 1927, and soon thereafter entered the bohemian world of the Parisian avant-garde. In 1931, he began to use a camera and to make photographs that reveal the influence of Cubism and Surrealism —bold, flat planes, collagelike compositions, and spatial …
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