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Joseph Kosuth | One and Three Photograph [Eng./Germ.] …
- https://www.artsy.net/artwork/joseph-kosuth-one-and-three-photograph-eng-dot-slash-germ-dot
- Picasso’s sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures,ceramics, theater sets, and costume designs. He painted his most famous work, Guernica (1937), in response to the Spanish Civil War; the totemic grisaille canvas remains a definitive work of anti-war art. At auction, a number of Picasso’s paintings ...
One and Three Photographs [Ety.] | Cleveland Museum of …
- https://www.clevelandart.org/art/2009.1
- Kosuth is regarded as one of the most significant artists to champion conceptualism, which values the idea of an artwork over the physical object itself. In this work, Kosuth compares three different One and Three Photographs [Ety.] | Cleveland Museum of Art
One and three photograph English-German, 1965
- https://www.wikiart.org/en/joseph-kosuth/one-and-three-photograph-english-german
- ‘One and three photograph English-German’ was created in 1965 by Joseph Kosuth in Conceptual Art style. Find more prominent pieces of installation at Wikiart.org – best visual art database.
Joseph Kosuth, One and Three Chairs – Smarthistory
- https://smarthistory.org/kosuth-one-and-three-chairs/
- Joseph Kosuth, One and Three Chairs (detail), 1965, wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of “chair” (MoMA) Kosuth was influenced by new …
Joseph Kosuth. One and Three Chairs. 1965 | MoMA
- https://www.moma.org/collection/works/81435
- Joseph Kosuth. One and Three Chairs. 1965. Wood folding chair, mounted photograph of a chair, and mounted photographic enlargement of the dictionary definition of "chair". Chair 32 3/8 x 14 7/8 x 20 7/8" (82 x 37.8 x 53 cm), photographic panel 36 x 24 1/8" (91.5 x 61.1 cm), text panel 24 x 30" (61 x 76.2 cm).
MoMA | Joseph Kosuth. One and Three Chairs. 1965
- https://www.moma.org/learn/moma_learning/joseph-kosuth-one-and-three-chairs-1965/
- See this work in MoMA’s Online Collection. In One and Three Chairs, Joseph Kosuth represents one chair three ways: as a manufactured chair, as a photograph, and as a copy of a dictionary entry for the word “chair.”. The installation is thus composed of an object, an image, and words. Kosuth didn’t make the chair, take the photograph, or write the definition; he selected and …
Joseph Kosuth - One and Three Chairs
- https://www.museoreinasofia.es/en/collection/artwork/one-and-three-chairs
- One and Three Chairs is considered one of the first conceptual pieces conceived by the artist, according to a criterion that he himself described as “anti-formalist” and which, tautologically, approaches one single thought process from three separate perspectives: via the object (the chair), its representation or index (the photograph of that same chair), and two linguistic …
One and Three Photographs | Widewalls
- https://www.widewalls.ch/auction-artwork/joseph-kosuth-one-and-three-photographs
- One and Three Photographs by Joseph Kosuth. Browse Widewalls and discover more auction records by Joseph Kosuth, with prices and details of each lot! ... One and Three Photographs All auction results by Joseph Kosuth Artist: Joseph Kosuth. Artwork: One and Three Photographs Size: Each photograph: 43 x 64, Photostat: 61 x 76 cm Edition Size: n/a ...
Joseph Kosuth Art, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/kosuth-joseph/
- The Rosetta Stone is a historical precedent to Kosuth's work, such as his One and Three series, since the same statement is presented three times in the Egyptian artifact and the same thing is presented as words, an object, and a photographic reproduction in the artist's series. In the late 1980s, Kosuth began fabricating, with the help of many assistants, a giant copy of the face of …
One and Three Chairs (Une et trois chaises) - Centre …
- https://www.centrepompidou.fr/en/ressources/oeuvre/c5jdxb
- With One and Three Chairs, Joseph Kosuth contributed to the founding of conceptual art in the 1960s. Influenced by the language theories, he plays on the relationship between object, image and word, or sign, signified and signifier. Here, the artist presents a chair, a photograph of the same chair and an enlarged extract from the dictionary with the different uses of the word “chair”.
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