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What, in truth, is Photography? Notes after Kracauer
- https://www.jstor.org/stable/44030778
- What, in truth, is Photography? Notes after Kracauer Andrew Benjamin In our response to photographs . . . the desire for knowledge and the sense of beauty interpenetrate one another. Often photographs radiate beauty because they satisfy that desire. Moreover, in satisfying it by penetrating unknown celestial spaces and the recesses of matter, they
Photography and Representation in Kracauer, Brecht and …
- https://www.researchgate.net/publication/233564537_Photography_and_Representation_in_Kracauer_Brecht_and_Benjamin
- Download Citation | Photography and Representation in Kracauer, Brecht and Benjamin | The debate about the nature and purpose of representation in photography and other art …
What in truth is Photography Notes after Kracauer
- https://www.academia.edu/32017756/What_in_truth_is_Photography_Notes_after_Kracauer
- Photography takes on the structure of historicism when what it presents is taken as axiomatically coherent. It would be as though there was a coincidence between the constructions of 'nature' and 'history' in which both are understood as forms of completion and totality. The destruction of 'coherence' is, for Kracauer, the creation of meaning.
What, in truth, is photography? Notes after Kracauer
- https://research.monash.edu/en/publications/what-in-truth-is-photography-notes-after-kracauer
- TY - JOUR. T1 - What, in truth, is photography? Notes after Kracauer. AU - Benjamin, Andrew. PY - 2010. Y1 - 2010. M3 - Article. VL - 32. SP - 189. EP - 201
Cinema and Experience: Siegfried Kracauer, Walter …
- https://www.jstor.org/stable/10.1525/j.ctt1pp6c4
- Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno—affiliated through friendship, professional ties, and argument—developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s.
Siegfried Kracauer - Photography - [PDF Document]
- https://vdocuments.net/siegfried-kracauer-photography.html
- Kracauer Benjamin[Photography] Siegfried Kracauer - download.e- imagine the critical theorist Siegfried Kracauer standing at a cross-roads, the kind of junction envisaged by the French sociologist Henri
Siegfried Kracauer: Photography (1927). Aus: The Past's
- https://www.diaphanes.net/titel/photography-1927-3815
- Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many of the period’s preeminent thinkers, including his friends, the critic Walter Benjamin, and Theodor W. Adorno, who once claimed he owed …
“Making Visible, Making Strange: Photography and ... - AMERICAN …
- https://americansuburbx.com/2009/10/making-visible-making-strange-2.html
- Benjamin’s critique of photographic representation in his Kleine Geschichte der Photographie/Short History of Photography takes as its starting point Brecht’s commentary on Krupp and AEG, (43) and cites both Brecht and Kracauer’s photography essay in its account of contemporary photographic theory and practice.
The Kracauer Connection: The Conflation of Art and the …
- https://www.academia.edu/es/37657859/The_Kracauer_Connection_The_Conflation_of_Art_and_the_Messianic_Political_in_the_Works_of_Kracauer_Benjamin_and_Adorno
- There is a peculiar figure of thought (and speech) that Kracauer, Adorno and Benjamin seemed to like and share. Working on related topics concerning the status of the arts, they all toyed with the idea of a “go-for-broke” game, a “va-banque Spiel”.
Author(s): Siegfried Kracauer and Thomas Y. Levin Source: …
- https://platypus1917.org/wp-content/uploads/2011/09/kracauer_photography1927.pdf
- 422 Siegfried Kracauer lected in 1930 in a book entitled Die Angestellten), and published major essays on Kafka, Benjamin, Weber, Scheler, the Buber-Rosenzweig translation of the Bible, the genre of biography, to name just a few. Together with his friends Adorno, Benjamin, and Bloch, whose work he published regularly in the
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