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Siegfried Kracauer on photography – Thought Factory
- https://thoughtfactory.com.au/2872-2/#:~:text=The%20photograph%20for%20Kracauer%2C%20as%20for%20Georg%20Simmel%2C,its%20failure%20to%20penetrate%20beneath%20these%20exterior%20manifestations.
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Visual Rhetoric: Kracauer on Photography - Blogger
- https://visualsemiotics.blogspot.com/2009/11/kracauer-on-photography.html
- Kracauer on Photography Siegfried Kracauer was a cultural analyst and member of the applied social sciences group at Columbia University. His work laid the foundation for modern film criticism and he is the author of …
Siegfried Kracauer on photography – Thought Factory
- https://thoughtfactory.com.au/2872-2/
- The photograph for Kracauer, as for Georg Simmel, captures a true likeness, a faithful representation, a simple copy of figures, objects and scenes. Photography’s strength is that it captures the actual appearances of people and the surfaces of things but its weakness is its failure to penetrate beneath these exterior manifestations.
‘Photography’ (Kracauer 1927)
- https://www.researchgate.net/publication/354797651_'Photography'_Kracauer_1927
- Download Citation | ‘Photography’ (Kracauer 1927) | This chapter is a close analysis of Kracauer’s 1927 essay ‘Photography’. In this essay, Kracauer regards photography as contributing ...
What, in truth, is Photography? Notes after Kracauer
- https://www.jstor.org/stable/44030778
- of photography's having undone in advance a specific form of reality. As part of his meditation on the nature of the photographic image, Kracauer wrote: 'In order for history to present itself the mere surface coherence offered by photography must be destroyed' ( MO , 52). Photography takes on the structure of historicism when what it
Kracauer's Theory of History and Film
- https://film-history.org/issues/text/kracauers-theory-history-and-film
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What in truth is Photography Notes after Kracauer
- https://www.academia.edu/32017756/What_in_truth_is_Photography_Notes_after_Kracauer
- As part of his meditation on the nature of the photographic image, Kracauer wrote: 'In order for history to present itself the mere surface coherence offered by photography must be destroyed' ( MO , 52). Photography takes on the structure of historicism when what it presents is taken as axiomatically coherent.
Author(s): Siegfried Kracauer and Thomas Y. Levin Source: …
- https://platypus1917.org/wp-content/uploads/2011/09/kracauer_photography1927.pdf
- Photography Siegfried Kracauer Translated by Thomas Y. Levin Forced to leave fascist Germany in 1933, Siegfried Kracauer (1889-1966) began a period of exile that would last the rest of his life. It was thus in Paris and then, after 1941, in New York that he would write the works for which he is known in the Anglo-American realm: a "social ...
“Making Visible, Making Strange: Photography and ... - AMERICAN …
- https://americansuburbx.com/2009/10/making-visible-making-strange-2.html
- For much of ‘Die Photographie’, Kracauer characterises photography in Realist/Naturalist terms, in such a way as to disqualify photography from attaining artistic status. He even suggests that photographs are the representational counterpart of historicism, in that they merely record the detritus of History rather than its authentic truth-content.
Siegfried Kracauer, Realist Film Theorist - Joni Gutierrez
- https://www.jonigutierrez.com/blog/siegfried-kracauer-realist-film-theorist/
- One of the main features of the realist film theory of Kracauer is his assertion that within the modern condition, film form and spectatorship ‘correspond to the “damaged condition of modernity”’ (Aitken, 2006, p. 166); it is ‘in this sense, and not in any naïve realist sense, that Kracauer understands film to be “realistic”’ (p. 166).
Siegfried Kracauer - Wikipedia
- https://en.wikipedia.org/wiki/Siegfried_Kracauer
- Siegfried Kracauer's theories on memory revolved around the idea that memory was under threat and was being challenged by modern forms of technology. His most often cited example was the comparison of memory to photography. The reason for this comparison was that photography, in theory, replicates some of the tasks currently done by memory.
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