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Photography, Trace, and Trauma, Iversen - University of Chicago P…
- https://press.uchicago.edu/ucp/books/book/chicago/P/bo25149795.html#:~:text=Margaret%20Iversen%20Photography%20is%20often%20associated%20with%20the,consciousness%20and%20lodges%20deeply%20in%20the%20unconscious%20mind.
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What is a photograph?, Art History | DeepDyve
- https://www.deepdyve.com/lp/wiley/what-is-a-photograph-Zf0ZwsvUyU
- Iversen, Margaret 1994-09-01 00:00:00 What is a photograph? Margaret Iversen Roland Barthes's last book, Camera Lucida (1980), begins with the words, 'One day, quite some time ago ... " clearly announcing its status as a fiction, as art. 1 The central character is a scholar who, throwing off his academic robes, his whole culture even, retires to his study rather like …
What is a photograph? - Iversen - 1994 - Art History
- https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1467-8365.1994.tb00587.x
- Click on the book chapter title to read more.
Photography, Trace, and Trauma, Iversen - University of …
- https://press.uchicago.edu/ucp/books/book/chicago/P/bo25149795.html
- Margaret Iversen. Photography is often associated with the psychic effects of trauma: the automatic nature of the process, wide-open camera lens, and light-sensitive film record chance details unnoticed by the photographer—similar to what happens when a traumatic event bypasses consciousness and lodges deeply in the unconscious mind.
Profile for Margaret Iversen at the University of Essex
- https://www.essex.ac.uk/people/ivers66902/margaret-iversen
- Margaret Iversen is one of the leading international authorities in the field of art theory and contemporary art. Her first book was on one of the founders of Art History as a discipline: Alois Riegl: Art History and Theory (1993). ... Costello, D. and Iversen, M., (2010). Photography After Conceptual Art. Wiley-Blackwell. 1444333607 ...
Margaret Iversen (Contributor of The Art of Art History)
- https://www.goodreads.com/author/show/153500.Margaret_Iversen
- She was director of a large AHRC research project called Aesthetics after Photography (2007-2010), an interdisciplinary project in partnership with Diarmuid Costello of t. Margaret Iversen is one of the leading international authorities in the field of art theory and contemporary art. Her first book was on one of the founders of Art History as a discipline: Alois Riegl: Art History and …
Margaret Iversen | The MIT Press
- https://mitpress.mit.edu/contributors/margaret-iversen-1
- Margaret Iversen 1993. Alois Riegl (1858-1905) was one of the founders of art history as a discipline. This is the first general introduction to the work of the celebrated Austrian who brought complex philosophical considerations to bear on art and its history. Ranging easily over diverse fields and among a large group of thinkers, Margaret ...
Margaret Iversen - Monoskop
- https://monoskop.org/Margaret_Iversen
- Margaret Iversen is Professor of Art History and Theory at the University of Essex. Publications Books. Alois Riegl: ... "What Is A Photograph", Art History 17:3, Sep 1994, pp 450-463. "Readymade, Found Object, Photograph", Art Journal, Summer 2004, pp 44-57.
Photography, Trace, and Trauma: Iversen, Margaret
- https://www.amazon.com/Photography-Trace-Trauma-Margaret-Iversen/dp/022637016X
- “Iversen is one of our foremost theoreticians of photography, whose pioneering work is grounded in a lucid, sophisticated engagement with philosophical, aesthetic, and psychoanalytical discourses. With Photography, Trace, and Trauma,Iversen turns her critical gaze toward the photographic trace and its psychic resonances. With trademark clarity and …
Following Pieces: On Performative Photography | Margaret …
- https://www.taylorfrancis.com/chapters/edit/10.4324/9780203944141-11/following-pieces-performative-photography-margaret-iversen
- The shadow, he argues, is “rigorously contemporary with the object it doubles, it is simultaneous, nondetachable, and, because of this, without exchange value.”1 As Hollier notes, the shadow is the clearest example of an indexical sign that is “less a representation of an object than the effect of an event.”2 This, he says, citing ...
(PDF) Introduction: Photography After Conceptual Art
- https://www.academia.edu/27594491/Introduction_Photography_After_Conceptual_Art
- INTRODUCTION 1 Jeff Wall, Shapes on a Tree, 1998. Silver gelatin contact print, 24.4 19.4 cm. Photo: r Jeff Wall. & ASSOCIATION OF ART HISTORIANS 2009 INTRODUCTION: PHOTOGRAPHY AFTER CONCEPTUAL ART DIARMUID COSTELLO AND MARGARET IVERSEN This special issue of Art History aims to open up a debate about what is at stake in contemporary photographic art.
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