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What is Modern Photography - Pixinfocus
- https://www.pixinfocus.com/modern-photography/#:~:text=What%20is%20Modern%20Photography%201%20Modern%20Photography%3A%20The,Another%20Shift.%20...%204%20Important%20Modern%20Photographers.%20
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Modern Photography Overview | TheArtStory
- https://www.theartstory.org/movement/modern-photography/
- The birth of Modern Photography heralded a significant aesthetic change in photographic output as well as a shift in the way in which photography was produced, utilized and appreciated. Modern Photography encompassed trends in the medium from the early 1900s through to the 1960s. The move from early photography to Modern Photography is distinguished by a departure from the …
Modern Photography - Concepts & Styles | TheArtStory
- https://www.theartstory.org/movement/modern-photography/history-and-concepts/
- Originating around 1904, Straight Photography sought to make a truthful record of what the photographer saw. It is usually considered the first movement of Modern Photography and the point at which photographers ceased trying to imitate established artistic modes.
A-Z of Modernist Photography | Tate
- https://www.tate.org.uk/art/art-terms/p/photography/a-z
- Many historians date the beginnings of modernism in photography to the Photo-Secession, a group of American photographers founded by Alfred Stieglitz in 1902. Members included Edward Steichen, Alvin Langdon Coburn, Gertrude Käsebier and Clarence H. White, who all placed great importance on fine photographic printing and used techniques which mirrored paint and pastel.
Modern Photography | Artsy
- https://www.artsy.net/gene/modern-photography
- A general term used to encompass trends in photography from roughly 1910-1950 when photographers began to produce works with a sharp focus and an emphasis on formal qualities, exploiting, rather than obscuring, the camera as an essentially mechanical and technological tool. Also referred to as Modernist Photography, this approach abandoned the Pictorialist mode …
History of Photography: Pt. 3 - Modernism - YouTube
- https://www.youtube.com/watch?v=M9ojYMl4EHQ
- The Modernist movement in America established the mantra of "Form follows function," and photography was no different. Photographs became celebrations of the mastery of form to serve a …
Inventing MODERNISM - American Museum of Photography
- https://www.photographymuseum.com/modernism1.html
- Most historians date the beginnings of Modernism in photography to the Photo-Secession, a movement founded by Alfred Stieglitz in 1902. Stieglitz and his followers acknowledged three brilliant photographers who preceded them by many years: the Scottish partners David Octavius Hill and Robert Adamson (active 1842 - 1847) and the remarkable Julia Margaret Cameron …
Which History of Photography: The Modernist Model
- https://www.jstor.org/stable/27948684
- Which History of Photography: The Modernist Model1 by Peter Blank Stanford University The existence of varying criteria or agendas utilized by crit ics, curators, and historians in their valorizing of photographic practice must be noted in order to map the critical footing that exists in any discussion of photography and to demonstrate how
Defining Traditional, Modern and Postmodern Photography
- https://www.moneymakerphotography.com/defining-traditional-modern-postmodern-photography/
- Modern Photography. Modern photography is really where we start to see the deeper meanings behind the imagery. It isn’t dissimilar to modernist painting in that the work is often conceptual. Among painters, Picasso’s work, particularly that which came after his Cubist phase, is …
History of photography - Wikipedia
- https://en.wikipedia.org/wiki/History_of_photography
- The history of photography began in remote antiquity with the discovery of two critical principles: camera obscura image projection and the observation that some substances are visibly altered by exposure to light. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.
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