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Alfred Stieglitz - 15 artworks - photography - WikiArt
- https://www.wikiart.org/en/alfred-stieglitz
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European …
The Alfred Stieglitz Collection - Art Institute of Chicago
- https://archive.artic.edu/stieglitz/
- IN 1949, GEORGIA O'KEEFFE. gave the Art Institute of Chicago a portion of Alfred Stieglitz’s vast art collection. The gift included 244 photographs as well as paintings, sculptures, u0003drawings, etchings, and prints. This site profiles each photograph, offering images of the front and back of each work, installation views, and links to related publications from Stieglitz’s lifetime.
Alfred Stieglitz - The Art and Works of Photographer Alfred Stieglitz
- https://artincontext.org/alfred-stieglitz/
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Stieglitz’s Portfolios and Other Published Photographs
- https://www.nga.gov/research/online-editions/alfred-stieglitz-key-set/portfolios-and-published-photographs.html
- Stieglitz, “A Statement,” An Exhibition of Photography by Alfred Stieglitz [exh. cat., Anderson Galleries] (New York, 1921). Modern gelatin silver prints are on paper that has been coated with a layer of white pigment mixed with gelatin. Because the silver metal rests on coated paper, the image is sharply defined and highly detailed, unlike ...
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- Forty-five of the total 329 photographs depict O'Keeffe in the nude. In many of the photographs, Stieglitz crops her body, leaving just a naked torso or fetishized body parts. This series was O'Keeffe's unveiling to the public.
The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
- The modernist straight photographers whom Stieglitz would promote later in his career included Paul Strand, Ansel Adams, and Eliot Porter. The final issue of Camera Work was devoted entirely to Strand, an emerging photographer at the time, whose work Stieglitz described as “brutally direct.” In an essay reprinted in that volume, Strand advocated an approach that respected both …
Category:Nude photographs by Alfred Stieglitz - Wikimedia
- https://commons.wikimedia.org/wiki/Category:Nude_photographs_by_Alfred_Stieglitz
- Alfred Stieglitz- Georgia O’Keeffe ,Hands and Breasts, 1919.jpg 534 × 420; 35 KB. Alfred Stieglitz--Female Nude Standing in Doorway with Small Mirror in Hand-, Clarence H. White, 1907.jpg 534 × 658; 123 KB. Alfred Stieglitz--Female Nude with Hands Clasped Behind Head-, Clarence H. White, 1907.jpg 534 × 657; 109 KB.
On Photography: Alfred Stieglitz, 1864-1946 - Photofocus
- https://photofocus.com/inspiration/on-photography-alfred-stieglitz-1864-1946/
- During the next 20 years, Stieglitz would make over 300 photographs of his wife. With World War 1 raging in Europe, platinum, the base for his favorite printing paper was all but impossible to obtain. Stieglitz turned to palladium paper — exactly the same process as platinum but with the resulting prints being darker brown or sepia in coloration.
Alfred Stieglitz's 291 - A Gallery That Changed Photography
- https://www.widewalls.ch/magazine/alfred-stieglitz-291-gallery
- May 26, 2019. Elena Martinique. An influential and prolific photographer, Alfred Stieglitz produced thousands of pictures throughout his career, covering numerous themes that captured different periods of a rapid transition in American society. In addition to his photography work, he was a vital force in the development of modern photography and modern art in …
Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/hd_stgp.htm
- Stieglitz’s series of photographs of clouds, which he called Equivalent s ( 49.55.29 ), were made in a similar spirit, embodying this last idea perfectly. The cloud pictures were unmanipulated portraits of the sky that functioned as analogues of Stieglitz’s emotional experience at the moment he snapped the shutter.
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