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L'Amour fou: Photography and Surrealism: Krauss, …
- https://www.amazon.com/LAmour-fou-Photography-Rosalind-Krauss/dp/0896595765
- Rosalind Krauss, Meyer Schapiro Professor of Modern Art and Theory at Columbia University, is a widely published author of books and articles on art subjects. Since 1976 she has edited October, a journal of aesthetics. Jane Livingston, former associate director and chief curator of The Corcoran Gallery of Art in Washington, D.C., has written ...
L'amour fou: Photography & surrealism by Rosalind E …
- https://www.amazon.com/Lamour-fou-Photography-surrealism-1985-08-02/dp/B01K177EEQ
- It was by far the best writing on Surrealism and Photography. Rosalind Krauss has given the most compelling and exciting essay on the role of photography and artist's thinking of mechanics of pictures, dreams and bodies in the realm of visual art.
L'Amour Fou: Photography and Surrealism by Rosalind E.
- https://www.goodreads.com/book/show/175727.L_Amour_Fou
- Rosalind E. Krauss, Dawn Ades. 4.24. 82 ratings3 reviews. Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, Andre Breton, Brassai, Salvador Dali, Andre Kertesz and Hans Bellmer have remained all but unknown - until now. Traditional criticism has …
L'Amour fou : Photography and Surrealism by Rosalind …
- https://www.lensculture.com/books/4129-l-amour-fou-photography-and-surrealism
- by Rosalind Krauss. Much has been written about Surrealist painting and sculpture, but most of the erotic, disorienting, and exquisite Surrealist photographs of Man Ray, Marcel Duchamp, Max Ernst, André Breton, Brassaï, Salvador Dalí, André Kertész, and Hans Bellmer have remained all but unknown-until now. Traditional criticism has viewed Surrealist photography as a pale imitation …
L'amour Fou: Photography & Surrealism - Rosalind …
- https://books.google.com/books/about/L_amour_fou.html?id=VONTAAAAMAAJ
- Rosalind Krauss, a professor of art history at Hunter College, CUNY, New York City, is a widely published author of books and articles on art subjects, …
L'amour fou : photography & surrealism : Krauss, Rosalind …
- https://archive.org/details/lamourfouphotogr0000krau
- L'amour fou : photography & surrealism by Krauss, Rosalind E. Publication date 1985 Topics Photography, Artistic -- Exhibitions, Surrealism -- Exhibitions Publisher Washington, D.C. : Corcoran Gallery of Art ; New York : Abbeville Press Collection inlibrary; printdisabled; internetarchivebooks
photography surreaJjsm - Monoskop
- https://monoskop.org/images/9/96/Krauss_Rosalind_1985_Photography_in_the_Service_of_Surrealism.pdf
- Krauss, Rosalind E. L'amour fou. Issued in conjunction with an exhibition held at the Corcoran Gallery of Art, Sept.-Nov., 1985. Bibliography: p Includes index. Contents: Preface/Rosalind Krauss and Jane Livingston~Photography in the service of surrealism! Rosalind Krauss-Man Ray and surrealist photography!
Rosalind Krauss Biography, Art, and Analysis of Works
- https://www.theartstory.org/critic/krauss-rosalind/
- Rosalind Epstein Krauss was born to Matthew M. Epstein, an attorney, and Bertha Luber. Her father instilled in Rosalind a love for the arts, and would frequently take her to museums in the Washington, D.C. area. Rosalind earned her Bachelor’s degree in Art History from Wellesley College in 1962, the same year she became married to the architect, Richard I. Krauss.
The Photographic Conditions of Surrealism - JSTOR …
- https://www.jstor.org/stable/778652
- Surrealism* ROSALIND KRAUSS I open my subject with a comparison. On the one hand, there is Man Ray's Monument to de Sade, a photograph made in 1933 for the magazine Le Surreal-isme au service de la rekvolution. On the other, there is a self-portrait by Florence Henri, given wide exposure by its appearance in the 1929 Foto-Auge, a publica-
The Photographic Conditions of Surrealism | Rosalind Krauss
- https://www.taylorfrancis.com/chapters/edit/10.4324/9781003135630-14/photographic-conditions-surrealism-rosalind-krauss
- ABSTRACT. In this chapter the author uses structuralist tools to analyse the importance of photography within the Surrealist project of registering ‘the marvellous’. In 1925 Andre Breton began to examine the subject surrealism and painting, and from the outset he characterized his material in terms of the very twin poles - automatism and ...
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