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Richard Renaldi | Touching Strangers
- https://renaldi.com/touching-strangers/
- Nathan and Robyn; Provincetown, MA, 2012 Jesse and Michael; New York, NY, 2013 Michael and Kimberly; New York, NY, 2011 Donna and Eben; Las Vegas, NV, 2012
Touching Strangers, Photographs by Richard Renaldi
- https://aperture.org/exhibition/touching-strangers-photographs-richard-renaldi/
- Since 2007, Richard Renaldi has been working on a series of photographs that involve approaching and asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large format 8-by-10-inch view camera, Renaldi encounters the subjects for his photographs in towns and cities all over the United States.
Richard Renaldi: Touching Strangers | Aperture
- https://aperture.org/books/richard-renaldi-touching-strangers/
- Description. Now available in a new paperback edition, Richard Renaldi’s Touching Strangers embodies the human desire to connect despite our differences. Renaldi directed strangers to pose in front of a large-format, 8-by-10-inch view camera in towns and cities all over the United States. These startlingly intimate portraits reveal “humanity as it could be as most of us wish it …
Touching Strangers: Photographs by Richard Renaldi
- https://www.kickstarter.com/projects/aperturefoundation/touching-strangers-photographs-by-richard-renaldi
- Touching Strangers: Photographs by Richard Renaldi A Special-Edition Book of Photographs by Richard Renaldi Created by Aperture Foundation 885 backers pledged $80,943 to help bring this project to life. Last updated March 31, 2014 Campaign Rewards FAQ 3 Updates 9 Comments 17 Community Share this project Notify me on launch Play
Richard Renaldi: Touching Strangers | Aperture
- https://aperture.org/books/touching-strangers/
- Description. Since 2007, Richard Renaldi has been working on a series of photographs that involve approaching and asking complete strangers to physically interact while posing together for a portrait. Working on the street with a large format 8-by-10-inch view camera, Renaldi encounters the subjects for his photographs in towns and cities all over the United States.
Touching Strangers: Photographs by Richard Renaldi
- https://gogetfunding.com/touching-strangers-photographs-by-richard-renaldi/
- Since 2007, photographer Richard Renaldi has worked on a series of photographs for which he asks complete strangers to physically interact while posing together for a portrait. Working on the street with a large format 8-by-10 view camera, Renaldi encounters his subjects in towns and cities all over the United States.
Richard Renaldi Photo Series Strangers Touching | Time
- https://time.com/3781538/strangers-touching-by-richard-renaldi/
- In his ongoing series, Touching Strangers, Renaldi explores this relationship by pairing unacquainted individuals for a portrait with one stipulation: the subjects must physically interact in some...
Touching Strangers: Photographs by Richard Renaldi
- https://aperture.org/editorial/richard-renaldis-touching-strangers-on-kickstarter/
- Through August 5, 2013, backers can pre-order Richard Renaldi’s forthcoming special-edition photobook, Touching Strangers, exclusively on Kickstarter. Since 2007, photographer Richard Renaldi has worked on a series of photographs for which he asks complete strangers to physically interact while posing together for a portrait.
The Importance of Touching Strangers - A Richard …
- https://www.widewalls.ch/magazine/richard-renaldi-interview-touching-strangers
- Touching Strangers For seven years, between 2007 and 2014, Richard Renaldi was creating his iconic Touching Strangers photographic series. In the manner of Rineke Dijkstra and August Sander, he wandered the streets with his large-format 8x10 inch view camera and portrayed people he encountered all over the United States.
RICHARD RENALDI - Benrubi Gallery
- https://benrubigallery.com/artist/42/richard-renaldi
- Touching Strangers, according to the New York Times, “pushes the notion of street photography even further. Renaldi meets strangers on the street and asks them to touch or embrace one another; he then photographs these arrangements as group portraits. Rather than recording what he encounters in the city, Renaldi acts as a catalyst.
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