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Understanding Roland Barthes’ problem with photography
- https://photofocus.com/found/understanding-roland-barthes-problem-with-photography/
- Since the global pandemic hit last year, many of us saw our photography derailed or even ground to a halt. As a result, we were confined to either refining our workflow, practicing editing with old photos or learning new skills instead of shooting. Whichever the case, if you’re in the mood for more learning, the insights of French literary theorist and philosopher Roland …
Roland Barthes: The Photographic Paradox - The Art of Creative …
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- Conclusions about Roland Barthes’ theory of the photographic paradox. In summary we can say: The photographic image is a message without a code, it’s continuous. At the same time it is a connotative message, but not at the level of the message itself, but at the level of its production and reception. The photographic image is a ...
4 Ideas from the Photographic Writings of Roland …
- https://www.bhphotovideo.com/explora/photography/tips-and-solutions/4-ideas-photographic-writings-roland-barthes
- The punctum sneaks into the photograph; it is a surprise every time. The detail that Barthes might experience as the punctum in a photograph …
Roland Barthes on Photographing the Unconscious in …
- https://bookoblivion.com/2018/12/08/roland-barthes-camera-lucida/
- The French literary theorist, Roland Barthes (1915 – 1980), explores the power of photography in his 1979 book, Camera Lucida. In this …
Key Theories of Roland Barthes - Literary Theory and …
- https://literariness.org/2018/03/20/key-theories-of-roland-barthes/
- In the case of Barthes, the noema of photography is, as we know, the ‘it has been’. The question Camera Lucida raises is whether the noema can, …
Touching Photographs: Roland Barthes's ''Mistaken'' Identification
- https://online.ucpress.edu/representations/article/80/1/99/81786/Touching-Photographs-Roland-Barthes-s-Mistaken
- IN CAMERA LUCIDA, ROLAND BARTHES'S subject is the significance of photography's defining characteristic: the photograph's inseparable relation to its subject, that which ''must have been'' in front of the camera's lens.Or so it would seem. The present reading of Camera Lucida argues that Barthes's essay actually shows photography's nature as dependent …
Looking for Henriette: Roland Barthes' tantalising mystery
- https://www.theguardian.com/artanddesign/2020/apr/15/photographic-mystery-roland-barthes-mother-odette-england-keeper-of-the-hearth
- This poignant recollection occurs early in the second part of Camera Lucida by the French thinker Roland Barthes. Published in 1980, it remains, alongside Susan Sontag’s On Photography, one of ...
The Photographic Message – Roland Barthes | Yatesweb
- https://www.yatesweb.com/the-photographic-message-roland-barthes/
- Prima facie, for Barthes a photograph is a depiction of reality, or, as he notes, a message without a code. That reality is defined by perspective, colours and so forth, with the creation of an analogue of that reality, an analogon. This reminds my of my undergraduate days. One of my final essays was the Criteria for Diagrammatic Truth.
Getting Started with Photo Theory: Szarkowski, Sontag, and Barthes
- https://www.bhphotovideo.com/explora/photography/features/getting-started-with-photo-theory-szarkowski-sontag-and-barthes
- Even a superficial assessment of the current state of photography theory would be too long to contain here. Instead, what follows is an introduction to three important figures whose contributions to the field continue to inform discussions of the medium: John Szarkowski, Susan Sontag, and Roland Barthes. A museum curator, a cultural critic, and ...
On Photography. The Medium, The Scandal and The Silence
- https://www.researchgate.net/publication/314881971_On_Photography_The_Medium_The_Scandal_and_The_Silence
- The Medium, The Scandal and The Silence | Italo Calvino once referred to photography as an “anthropologically new object”, while Roland Barthes described it as a “bizarre medium”.
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