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The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
- Nearly a decade later Stieglitz would begin to focus on straight photography in his own work, a change that paralleled his discovery and exhibition of modern painting, drawing, and sculpture at 291. In a 1916 letter, Stieglitz described his most recent work as “intensely direct. . . . Not a trace of hand work on either negative or prints. No ...
Stieglitz and Straight Photography - Scalar
- https://scalar.chapman.edu/scalar/ah-331-history-of-photography-spring-2021-compendium/dane-forsum-essay-3
- Stieglitz’s move to straight photography marks a huge leap in the understanding of photography as an artform. Before The Steerage the effort of artist’s was an attempt to recreate the grand themes of painting into photography; the emotion of scenes, the effect of …
Straight Photography Movement Overview | TheArtStory
- https://www.theartstory.org/movement/straight-photography/
- So, Straight photography developed in the work of Strand within the artistic milieu of Stieglitz's 291 Gallery in New York, a place attentive to the avant-garde movement of Cubism. By the end of World War I, Straight photography became standard practice in the fields of advertising, design, and journalism in the United States.
The Rise of Straight Photography: Alfred Stieglitz
- https://scalar.chapman.edu/scalar/ah-331-history-of-photography-spring-2021-compendium/dylan-lavigne-assignment-3
- The Rise of Straight Photography: Alfred Stieglitz. During the early 1900’s, photography was beginning to be understood and appreciated as an art form following innovations in technology and production techniques used by photographers. Pictorialist photography was the first photographic style that was considered to be an art form by the ...
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- Insistent that photography warranted a place among the fine arts, Stieglitz's own work showed great technical mastery of tone and texture and reveled in exploring atmospherics. In later years, influenced in part by Cubism and other trends, he became interested in straight photography, favoring more clarity and less lush effects.
History of Photography: The Stieglitz Group - Photofocus
- https://photofocus.com/photography/history-of-photography-the-stieglitz-group/
- The Stieglitz Group was an essential number of photographers who pioneered then promoted the pictorial style of photography. ... This introduced a painterly effect to his images and also set the stage for reinforcing yet again that photography is more than a straight image, can have manipulation beyond the actual picture taking, and still evoke ...
Photography & Collections - Alfred Stieglitz - Engl Library …
- https://okeeffemuseum.libguides.com/guides/stieglitz/photography
- Alfred Stieglitz was an internationally acclaimed photographer whose devotion to straight photography contributed to the acceptance of photography as fine art. He was a prolific photographer and had great control over the technical aspects of the medium. He was one of the most recognized photographers of his time. Left to right: Alfred Stieglitz.
Alfred Stieglitz, Patron Saint of Straight Photography
- https://www.youtube.com/watch?v=m1vmTXhCrAM
- An American photographer, probably did more than any other individual to promote photography as an art at the same level as other arts, and has been dubbed t...
Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/hd_stgp.htm
- Stieglitz’s support for the photography of Paul Strand and Charles Sheeler crystallized the new approach to the medium, and the change could also be seen in his own photographs. His celebrated portrait of Georgia O’Keeffe was one of his chief occupations between 1917 and 1925, during which time he made several hundred photographs of the ...
The Alfred Stieglitz Collection | Pictorialism
- https://archive.artic.edu/stieglitz/pictorialism/
- In order to further photography’s acceptance as an art, Pictorialists embraced the medium’s painterly qualities. ... The movement waned around the dawn of World War I—the Linked Ring disbanded in 1910, and Stieglitz, gravitating toward straight photography, published the last issue of his journal Camera Work in 1917—although smaller ...
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