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Theory in Studio: Walter Benjamin and the Concept of Aura
- https://burnaway.org/magazine/theory-in-studio-walter-benjamin-and-the-concept-of-aura/
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Imaginary Encounters: Walter Benjamin and the Aura of …
- https://read.dukeupress.edu/poetics-today/article/29/1/79/20953/Imaginary-Encounters-Walter-Benjamin-and-the-Aura
- Imaginary Encounters: Walter Benjamin and the Aura of Photography. Poetics Today (2008) 29 (1): 79–101. This article explores Walter Benjamin's famous concept of the aura in relation to his writings on photography. Although Benjamin's “Artwork” essay charges photography with the decline of the aura of the traditional artwork, his essay on photography …
Walter Benjamin on photography and film | viz.
- https://viz.dwrl.utexas.edu/old/content/walter-benjamin-photography-and-film.html
- Benjamin begins by outlining a history of artistic reproduction. Even the ancient Greeks had technologies to reproduce art, like founding and stamping. The principle difference between earlier forms of reproduction and photography, argues Benjamin, is speed. Photography, which allowed the artist to create with his eye rather than his hands, eventually developed into moving …
Walter Benjamin Aura of Photography - [PDF Document]
- https://vdocument.in/walter-benjamin-aura-of-photography.html
- TRANSCRIPT. Imaginary Encounters: Walter Benjamin and the Aura of PhotographyCarolin DuttlingerMedieval and Modern Languages, Oxford. This article explores Walter Benjamins famous concept of the aura in relation to his writings on photography. Although Benjamins Artwork essay charges photography with the decline of the aura of the traditional …
Imaginary Encounters: Walter Benjamin and the Aura of …
- https://www.researchgate.net/publication/242534905_Imaginary_Encounters_Walter_Benjamin_and_the_Aura_of_Photography
- walter benjamin believed that new forms of massproducible media, such as photography and film, had eliminated the authentic existence in a particular time and place characteristic of …
Walter Benjamin Aura of Photography - DocShare.tips
- http://docshare.tips/walter-benjamin-aura-of-photography_5878f484b6d87f7d618b4c7a.html
- Medieval and Modern Languages, Oxford. This article explores Walter Benjamin’s famous concept of the aura in relation to his writings on photography. Although Benjamin’s “Artwork” essay charges photography with the decline of the aura of the traditional artwork, his essay on photography complicates this historical narrative, associating aura with early portrait …
Walter Benjamin Overview and Analysis | TheArtStory
- https://www.theartstory.org/influencer/benjamin-walter/
- Walter Benjamin was one of the most important thinkers of the 20 th century, having published a range of works on culture and society. But he is perhaps still best known for his ideas on art and authenticity; challenging, as he did, the assumption that the original artwork was more valuable to society than the photographic reproduction of that artwork.
Walter Benjamin's concept of "Aura" and Authenticity in …
- https://culturalstudiesnow.blogspot.com/2013/05/walter-benjamins-concept-of-aura-and.html
- A similar expression to that of Benjamin's aura is that of "aesthetic experience" albeit Benjamin stresses the unique one-time experience. For Benjamin, an aura can be possessed only the original work of art. The aura distinguished the viewer from the work and creates the necessary detachment for a true aesthetic experience. This detachment is what …
WALTER BENJAMIN ON PHOTOGRAPHY - JSTOR
- https://www.jstor.org/stable/23982301
- Walter Benjamin was concerned with photography - its invention and its history - because it represented to him a primary example of the effects of technology on aesthetic perception. He reviewed several books dealing with photography and its history. He wrote «A Short History of Photo graphy» (1931) and discussed photography in connection with problems
AURA, FACE, PHOTOGRAPHY
- https://warwick.ac.uk/fac/soc/philosophy/people/costello/costello_benjamin__photography.pdf
- Benjamin both celebrates and mourns the liquidation of the aura, rather than just affirming it, and that he equivocates between what I will call a ‘specific’ (photographic) and a ‘general’ (experiential) conception of what aura is. 2 Given the degree of complexity of Benjamin’s own conception of aura, my third aim is to
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