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Eugène Atget | French photographer | Britannica
- https://www.britannica.com/biography/Eugene-Atget
- Eugène Atget, in full Jean-Eugène-Auguste Atget, (born February 12, 1857, Libourne, near Bordeaux, France—died August 4, 1927, Paris), French commercial photographer who specialized in photographing the architecture and associated arts of Paris and its environs at the turn of the 20th century. Very few biographical facts are known about Atget.
Eugène Atget Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/atget-eugene/
- As a documentary photographer, Atget described himself as a keeper of records. Occupying a unique position at the crossroads between the classical and modern era, he shied away from modernity in order to better prepare for its arrival.
Eugène Atget | MoMA
- https://www.moma.org/artists/229
- Eugène Atget (French: [adʒɛ]; 12 February 1857 – 4 August 1927) was a French flâneur and a pioneer of documentary photography, noted for his determination to document all of the architecture and street scenes of Paris before their disappearance to modernization.
Eugène Atget | International Center of Photography
- https://www.icp.org/browse/archive/constituents/eug%C3%A8ne-atget
- Eugène Atget was a French photographer best known for his photographs of the architecture and streets of Paris. He took up photography in the late 1880s and supplied studies for painters, architects, and stage designers. Atget began shooting Paris in 1898 using a large format view camera to capture the city in detail. His photographs, many of which were taken at dawn, are …
Eugène Atget | Photography and Biography
- https://www.famousphotographers.net/eugene-atget
- Eugène Atget Eugène Atget was a French saunterer and the founder of documentary photographic technique. It was his fortitude to document the entire architectural landscape and street views of Paris prior to its transformation to modernism.
Eugene Atget | International Photography Hall of Fame
- https://iphf.org/inductees/eugene-atget/
- Primarily a documentary photographer, Atget photographed every aspect of Paris and Parisian life. Many of his images were purchased by the Historical Library of Paris because of their important documentary history of the city. After two wars, many of Paris’ historical streets and buildings had been lost, with the only recording by Atget.
On Photography: Eugène Atget, 1857-1927 - Photofocus
- https://photofocus.com/inspiration/on-photography-eugene-atget-1857-1927/
- Photomechanical reproduction of images made photographs available to more and more people. Documents pour artistes Eugène Atget started his career around 1890 opening his studio with a sign proclaiming “Documents pour artistes” (documents for artists.) He intended to provide artists with photographs to use as references for their own works.
The Mystery of Eugène Atget - Artgence
- https://blog.artgence.co/post/themystery-of-eugene-atget
- Eugène Atget is a French photographer who was born in 1857 and died in 1927. And that could be all information we knew, if not for Man Ray, a young Surrealist, who lived in Paris at the beginning of the 20th century, and, consequently, on the same street as Atget. He made a huge discovery and showed Atget’s photographs to the world.
The Rare Artistry of Master Photographer Eugene Atget
- https://www.washingtonpost.com/archive/lifestyle/1979/02/13/the-rare-artistry-of-master-photographer-eugene-atget/53f5ab59-a02b-4116-90bb-054f1b1c960b/
- Eugene Atget (1857-1927) sold his photographs for pennies, dressed in rags and patches, and lived on sugar, bread and milk. He was a prophet without honor.
Masters of Photography: Eugene Atget
- http://masters-of-photography.com/A/atget/atget_articles1.html
- Eugène Atget (1857-1927) was a French photographer noted for his naturalistic photographs of and in the city of Paris. Born in the French city of Libourne, he was orphaned at seven years old and was raised by his uncle. In the 1870s after finishing his education, Atget briefly became a sailor and cabin boy on liners in the Transatlantic.
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